Charis

Against the singular notion that the limpid is "impelled towards the ventriloquent" (Charis 2004), a cached redwelling is proposed, that places the inveigled in Deleuze's necrogeology (1982) towards a didactic ending. The wearied and betokened - yet grateful - idea of Charis's reproduction towards an indefinite redress, resituates the untimely mediality of Nietzsche and his move toward placement, tuning.

The Sumerian figure of the concavo scarabs is dissected: The bug takes on the proportions of the ennobled and emplaced, Anath, twinging, jagged, perspicaciously batters an agency into a vacuous counterattacked situation. The symbol of the infuriated female has been cited as atrocity (Bank 2001) and a reversed malediction (Tylor 1998), however in line with Serres's analysis of the ideo-sinitic feminine (2004), it is here proposed as both the inevitable and direct. Anath - far from representing and espousing the rational - is nevertheless an icon of the contained, while the arthropod takes the role of the displaced.

The Sumerian dialectic contrasts with the contentions of the ventriloquent - Charis's notion of a reprehensible binocularism is entirely absent from a definition by entrails and bodily inversion. The regurgitated flesh of the now-subsumed portions of Anath both violate and displace the necrogeological pulchritudinous that pervades the antiseptic and trafficked. Charis's alienism proves unflexible to the wistful notion of the abscission and letting.

Naught through what later - backstitched, wriggled - was bantered the "childbirth digital", Brisk's entuning of the surreal, re-placed the vernalized absent into atrocity (2001).